The Robbery That Never Happened!

 "The Robbery That Never Happened!" first appeared in Detective Comics #333. It was later reprinted in #442 and of course, Showcase Presents the Elongated Man. The digital edition of #333 may be purchased through Comixology or read on DC Universe.

The story is by Gardner Fox with pencil art by Carmine Infantino, Sid Greene on inks, (presumably) Gaspar Saladino on lettering and Julius Schwartz as editor.

The splash page gives us a dramatic scene from the story, very dynamic, good enough to keep you reading.

A man is pushing a safe at Ralph. I suppose they're using a wheeled safe because of course you want a safe to be easily mobile. I'm being sarcastic. Infantino and Greene do good work here setting up the scene. I like the look on Ralph's face showing bewilderment.

Our story begins with Sue at a jeweler's shop. The owner, Richard Bell, asks her opinion on a bill. It's a hundred dollar note, and he relates a strange story to Sue.

The bill was to pay for a watch crystal replacement job placed the previous day. Cashing out the payment, he processes a hundred dollar bill. However, the customer tells him that it's a ten dollar bill, and Bell checks again to see that it's correct. But now that the customer has left, he sees that it is a hundred after all.

The art on the first page is fairly good, though Sue's hair looks a bit awkward. It gets better on the next page as Sue gets Ralph intrigued about the case. He decides to go investigate rather than going out for dinner with Sue, telling her to order room service.

What I find the most fun about this page is they dedicated the entire right-hand quarter of the page is dedicated to Ralph stepping out of the window and onto the street below. Now, sure, this is supposed to help Ralph move faster, but I can't help but feel that he's showing off. No better way to announce that the Elongated Man is in town.

Hurrying to the store (the third page has a great shot of Ralph walking on elongated legs), Ralph arrives and finds it closed but the door is ajar. He spots someone inside and going in, finds someone raiding the safe. He gives the crook a warning tap on the shoulder before a sock to the jaw.

The crook begins to fight back, throwing a couple small clocks at Ralph, which he dodges before the crook pushes the safe at him. They're about to make blows at each other when Ralph finally gets a good look at the other guy: it's Richard Bell himself.

Surprised, Ralph is knocked out by Bell, who fills up a bag of money and jewels from the safe. Recovering, Ralph trails Bell and spots him putting the bag in a trash can, presumably for someone else to pick up shortly. Ralph slips into a mailbox to wait

Greene and Infantino do a very good job with the shading here to convey a dark room and even that it's night time.

Ralph waits and soon a man arrives and picks up the bag. Instead of tackling him, Ralph trails him and overhears the man talk to his partner about how the ticking of his watch hypnotized Bell. To test it, he pulled the hundred dollar switch that Bell talked to Sue about, then commanded him to drop off the money and jewels.

The two decide to leave town, then Ralph reveals himself from the window by snatching the briefcase they've emptied the loot into, which then conveniently disappears.

Ralph knocks a gun out of the main crook's hand by extending his knee, then shoots his neck out and knocks over the other one with his head as they were lifting a heavy metal vase to hit him with.

The first crook tries to lunge at Ralph, but Ralph moves out of the way, then snaps his back to slam the guy against the ceiling.

Basically, I think this is another one of those bits where it's clear Infantino liked drawing Ralph fighting crooks with his stretchy body.

Ralph calls up Bell, who had no idea about "robbing himself" and has him come to the police station as he turns over the crooks.

Ralph fills in Bell and the crooks before coming back to the hotel to Sue, who he brings home a jeweled brooch for. He explains that it's a gift from Mr. Bell for getting Ralph involved and saving him from robbery.

So, overall, we get a pretty good story. Not great, though. It's rather forgettable and uses the brand of hypnotism you'll see all over Silver Age superhero comics. This one plays the goals of this type low key, which works pretty well.

The art is great as usual, and with Sid Greene inking, even Sue's hair begins too look better than previous stories.

So, there we go. I want to apologize for the length of time it took to write this. Between my job and other commitments, this fell by the wayside, and sadly, I can't promise I'll be more timely in the future. I'm not getting paid to do this, after all.

Next time, one of the silliest Elongated Man stories ever.

TV Review: "Run, Iris, Run!"

This episode of The Flash throws a few subplots in alongside the main plot. When a new bus meta (Leonardo Nam) pops up with the power to transfer metahuman abilities to other people with just a few touches, Team Flash is desperate to find him before DeVoe does. However, when confronted by Joe (Jesse L. Martin), Barry's (Grant Gustin) speed powers are transferred to Iris (Candice Patton). Until they can get him to switch them back, Iris has to fill in as Central City's heroic speedster.
Meanwhile, Harry (Tom Cavanagh) tries to replicate DeVoe's thinking abilities and best them by creating a thinking cap. However, Cisco (Carlos Valdes) having noted DeVoe's destabilization is hesitant to help and see the same thing happen to Harry.
Last, but certainly not least, having moved into S.T.A.R. Labs, Ralph is anxious to stay hidden away where DeVoe can't find him.
The episode had some good developments for Barry and Iris' relationship and a good development for Iris personally. Harry's thinking cap and the new bus meta promise to build into significant plot developments going forward. Ralph's feeling a little dispirited as he moves on from his last appearance might be a little believable, but for the audience, his shying away and then stepping up begins to feel repetitive. Overall, fairly fun episode with some minor developments for the future.

We got seven more episodes left this season and Hartley Sawyer seemed to indicate on Instagram that Ralph will not be appearing in another one of those. He'll be back in the next episode, though, "Null and Annoyed," airing April 10. Another wait. Lovely.

Viewers in the US may view "Run, Iris, Run!" at no charge during a limited availability window on the CW website and app. With the current licensing agreement, the entire fourth season of The Flash will be available on Netflix in June, 2018. Digital versions of the episode may be purchased on iTunes, Amazon Instant Video, Vudu, Google Play and other retailers of digital video content. Blu-Ray and DVD copies of the season are expected to be available for sale in or by September, 2018.

Non-US viewers should check their local listings, the websites of the channels that air The Flash, and digital video retailers.

TV Review: "Enter Flashtime"

9/10, needed more Ralph.

Okay, I was torn on whether or not to review this episode as Ralph doesn't appear. He gets a name drop and is said to be moving into S.T.A.R. Labs.

When a terrorist detonates a nuclear bomb in Central City, Barry (Grant Gustin) enlists the help of fellow speedsters Jessie Quick (Violet Beane) and Jay Garrick (John Wesley Shipp) to help him stop it. Most of the episode takes place in the nanoseconds before the blast can harm anyone as Barry and the other speedsters experience time at super speed. Barry can bring non-speedsters into "Flashtime" as he touches them, which allows for him to turn to other members of Team Flash (except Ralph, who admittedly, is probably not too knowledgeable about stopping a detonated nuke, even in his comics counterparts) for help.

Quite a different type of episode of The Flash this week, and will probably be one of the more memorable ones for being radically different from most other episodes, even creating a doomsday clock plot device and focusing mainly on the acting of Grant Gustin to carry the episode.

I'm generally easy going on The Flash as I just look to these shows to have an entertaining time, but honestly, this was a really good episode.

Ralph will be back next week in "Run, Iris, Run!"

Viewers in the US may view "Enter Flashtime" at no charge during a limited availability window on the CW website and app. With the current licensing agreement, the entire fourth season of The Flash will be available on Netflix in June, 2018. Digital versions of the episode may be purchased on iTunes, Amazon Instant Video, Vudu, Google Play and other retailers of digital video content. Blu-Ray and DVD copies of the season are expected to be available for sale in or by September, 2018.

Non-US viewers should check their local listings, the websites of the channels that air The Flash, and digital video retailers.

Who is Sid Greene?

Not much seems to be known about Sidney Greene's personal life. This artist/inker for many comics was born on June 18, 1906.

Greene began freelancing for Funnies Inc., a comics packager, probably in the late 1930s. His first confirmed work was a "Spark Stevens" story appearing in The Green Mask #5 (1941) for Fox Comics. It's believed he worked on stories for Fiction House's Planet Comics and Fight Comics as early as 1940, but as comics were rarely credited, it's hard to say if he was the artist on them.

His first credited work was for a Patriot story appearing in Timely Comics' The Human Torch #5. As regular readers of this blog will know, it was not unusual for comics artists and writers in the Golden Age to take work where they could get it, so he worked for a variety of comic companies, so he worked on other comics for Timely, including Captain America, and would later freelance for them through the time they went as Atlas Comics before being re-branded as Marvel Comics. He would also work on comics for Novelty Press, Ace Comics, Eastern Color, Hillman Periodicals, Holyoke Publishing, Avon Comics, Orbit Publications, Quality Comics, and Ziff-Davis.

Greene's first known work for National Publications (DC Comics) was in Secret Hearts #18 in 1953. In a little over a year, he began working on stories in Mystery in Space, where he would work with future Elongated Man scribe Gardner Fox in creating the Star Rovers. However, he wouldn't begin working in superhero comics until 1963, when he inked a story in The Atom #8. The next year, he would begin inking the Elongated Man feature in Detective Comics, and the next year would see him put his inking talents toward Batman, both in the character's main title and Detective Comics. He would also begin inking regularly for Justice League of America in addition to various other comics.

Although Greene's work for DC became his claim to fame, in his later years, he freelanced for Marvel, inking a Ka-Zar story in Marvel Super-Heroes #19 and a feature story in Nick Fury, Agent of S.H.I.E.L.D. #12. Greene's final stories were published in March, 1970, in DC's The Unexpected #117 and House of Secrets #84.

Sid Greene died in a hospital in Port Jervis, New York in October, 1972.

The Elongated Man's Other-World Wife!

 "Everyone in the Silver Age became an alien sometime," said my buddy Duke as he saw the tease I left for this story.

"The Elongated Man's Other-World Wife!" first appeared in Detective Comics #332, which can be purchased on Comixology or read on DC Universe, and has only been reprinted in Showcase Presents The Elongated Man. It was written by Gardner Fox with art by Carmine Infantino, lettering (presumably) by Gaspar Saladino with Julius Schwartz editing.

Making his debut with this story is Sid Greene on inks, and you'll notice a new look to Infantino's art with bold lines and not so much of a "sketchy" look. While Greene adds bold lines, he doesn't exactly skip all of Infantino's detail and the art remains looking quite dynamic and energetic.

The splash page offers a surprise with Ralph trapped and Sue claiming to not be Sue, but an alien impostor. This illustrates a moment later in the story, and it's a good pick as it gets you interested and keeps you reading.

 The story opens with Sue Dibny leaving the motel room she and Ralph are sleeping in, clearly following someone. Ralph is awake and watches, and slipping into his costume watches as Sue and a strange humanoid creature walk toward a cave entrance. Watching them go through, Ralph attempts to follow, but is knocked out by electric beams.

Ralph awakens about noon the next day, back in his motel room, Sue waking him, explaining that she's spent the morning sunning herself to lose her winter pallor. When Ralph asks what she was doing last night, she says she's not responsible for what she does in his dreams.

Sue's coloring in the final panel looks kind of dark, but as the story will reveal, this is intentional. Problem is, because color printing in comics was erratic, you might mistake it for a coloring error. And in Showcase Presents, there's no color at all.

Ralph heads out and spots his footprints, knowing that Sue's mysterious actions from the previous night were not a dream at all. Going back to the cave, he throws some rocks into the entrance, activating an electric trap. Ralph swings through the top of the entry way, missing the trap. Entering, he finds a strange alien landscape.

 Ralph is then spotted by some of the alien men he saw the previous night who intend to fight him. However, he fights back and puts up a good fight, knowing when to withdraw.

Infantino draws an interesting wide open cavern, which reminds me a lot of "The Elongated Man's Undersea Trap!" He remains only a little inconsistent in the placing of everything, the outcropping Ralph kneels on stays consistent, but the shape of the wall it's by shifts quite a bit.

I have noticed that Infantino likes to draw Ralph pressing his back up against the ceiling quite a bit. It does highly demonstrate his powers, but I can't imagine it'd be good for mobility. Might want to reconsider that, Ralph.

Oh yeah, and again, we have Ralph doing his signature move of stretching out of the way of blasts/bullets.

Sue steps out and orders the aliens to capture Ralph, claiming she needs to know why he remembered the previous night's events.

When Ralph asks her what's going on, Sue says she's Elva Van of the planet Sathanus, then she has him trapped in a glass cage. She claims that another alien will be given his form, then explains her race plans to conquer the world by copying and replacing men and women in important government roles and after this has been accomplished, having everyone killed.

She further explains how she duplicated Sue the night before and then sends a gas into the cage "to put you asleep." Guys, that should be "to put you to sleep."

Ralph realizes he can get out of the cage if there's an entrance and elongates his way out of a small opening.

Before he's even completely out of the cage, Ralph begins to fight the aliens, with some truly fanciful art by Infantino, which looks very dynamic. And of course, Ralph makes a few good puns.

After taking out all of the aliens and seizing their weapons, Ralph moves to capture their leader, when she tells him to stop and the show is over and for everyone to sing. The aliens begin to sing "Happy Birthday" to Ralph, and he remembers that it is his birthday.

Sue reveals that this is Ralph's birthday present: a weird mystery for him to solve. The aliens are just stunt men in costumes, put together by her uncle Jim who's a movie producer. This is the crew just taking an extra day. No one was actually hurt. Well, they apparently did use real electric bolts powerful enough to knock Ralph out.

As they get ready to have the cake, Ralph thinks how he knew it was really Sue when he saw her as the alien because she's sun burned from tanning in the morning when the alien duplicated her the previous night.

The only problem with Ralph's logic is that the story doesn't say if Sue returned after being duplicated. It would make more sense for them to keep her captive if the aliens were real, and thus the sunburn would've been on the alien leader.

It's interesting that they used coloring as a hint here, even though the logic behind Ralph's tip that it was really Sue is muddled.

What is important about this story is that it sets something up for Ralph and Sue's relationship: that she creates some surprise for him for his birthday, usually going for a fake mystery for him to solve. We'll see how this develops in the future.

Overall... not such a great story. It's fun, but as pointed out, the logic at the end basically breaks down. So good, but not great.

Next time, Ralph solves the robbery that never happened.

Where Ralph could fit in James Gunn's DCU (and Plastic Man too!)

 So, hi! I haven't forgotten about this blog, it's just time gets away from me, there's other stuff I want to handle. If I could...